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Electric guitar effects pedals that look as cool as they sound.
Rainbow Machine (Earthquaker Devices) - $225.00
3 likes 1 repin
Reverberator (Dr. Scientist)
1 like 3 comments
Double Hotcake (Crowther Audio) -- Hand-made in New Zealand by Paul Crowther, the Double Hotcake, just as the name implies, is two Hotcake boost/overdrive pedals in one box. Channel A is the Bluesberry version (a slightly less buzzy, more bluesy distortion) and Channel B is the normal circuit.
Red Eyes (Heavy Electronics) -- Classic yet original overdrive that will make you smile, unless you hate deceitful octopods.
2 likes 3 comments 1 repin
Micah Anderson where do I pick one up?
Ryan Probasco Good question. I have a feeling local dealers won't have it. The good thing is Heavy Electronics is a pretty new company, so I'm sure it's still in production at least.
Ryan Probasco The eyes light up when it overdrives!: http://www.youtube.com... Not sure if I like the tone enough for the gimmick though.
Radio Havana (Heavy Electronics) -- Lo-Fi revolution in a box. Radio Havana breaks tonal conformity and pronounces a tone reminiscent of a small transistor radio. Tinny with washed frequencies, and very responsive to pickup choices and string manipulation.
3 likes 6 repins
Sunlion (Analog Man) -- In early 2005 we combined these two pedals, the BEANO BOOST and SUNFACE into a new pedal – the SUNLION! The result of this combination turned out to be much more than the sum of its parts- an amazing sounding Tri-Germanium fuzz!
2 likes 1 repin
Big Muff Pi (Electro-Harmonix) -- "I asked my buddy, Bell Labs designer, Bob Myer, to design a unit, one that would have a lot of sustain. When I got the prototype from Bob, I loved the long sustain. This was done by cascading the circuit into additional sections, each one clipped by twin diodes. However, when you clip, the tone can be a bit raspy. So, I spent a couple of days changing capacitors to roll off distortion in the highs, and eventually found that the best long sustaining tone that was a sweet violin like sound was done by having three capacitors in different parts of the circuit rolling off the rasp. We plunged into production and I brought the very first units up to Henry, the boss at Manny's Music Store on 48th Street, NYC. About a week later, I stopped by Manny's to buy some cables, and Henry yelled out to me, 'Hey Mike, I sold one of those new Big Muffs to Jimi Hendrix.' " -Mike Matthews, Electro-Harmonix founder and president
2 likes
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