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Diego Rivera and Frida Kahlo, San Francisco, California c.1930 by Peter A. Juley
1 repin
Yves Klein - Great blue cannibalism, Tribute to Tennessee Williams,1960. Oil on canvas
Gustave Courbet - Self-Portrait (The Desperate Man), 1843-45. Oil on canvas
1 repin
Ron Arad - Concrete Stereo, 1983. Photograph by Erik and Petra Hesmerg. Courtesy of The Gallery Mourmans, Maastricht.
Ron Arad - Southern Hemisphere, 2007. Photograph by Eric and Petra Hesmerg. Courtesy of Private Collection, Maastricht.
Charles Demuth My Egypt 1927 Oil on fiberboard 35.75 x 30 in. Whitney Museum of American Art, New York
Edgar Degas - Femme assise sur le bord d'une baignoire et s'épongeant le cou (1880 - 1895) peinture à l'huile et à l'essence sur papier marouflé sur toile
2 repins
Frida Kahlo - Without Hope, 1945. Oil on canvas
1 like 1 repin
Paul Klee - Ancient Sound, Abstract on Black, 1925. Oil on cardboard
2 repins
Adélaïde Labille-Guiard - Autoportrait avec deux élèves, 1785.
Gustave Caillebotte - Les Raboteurs de parquet, 1875. Oil on canvas
1 repin
Frida Kahlo - Self-Portrait with Monkeys, 1938. Oil on canvas
3 repins
Frida Kahlo - Self-Portrait with Braid, 1941. Oil on masonite
3 repins
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Yves Klein - Anthropométrie sans titre (ANT 130), 1960. Oil on paper on wood.
Target with Four Faces by Jasper Johns (1968) screenprint, working proof with chalk, ink and collage. Returning to imagery seen in his 1955 painting of this title, Johns combines the rhythmic geometry of the concentric target bands with four images of the human face, emphasizing variation in repetition—an essential element of Johns' art. The model is choreographer Merce Cunningham (1919–2009), whose dance company used an image of the related edition print for a poster.
Ocean by Jasper Johns (1996) lithograph, working proof with ink. Ocean is the title of a 90-minute dance choreographed by Merce Cunningham and first performed by his dance company in 1994. This is one of three working proofs Johns made while developing a lithographic edition of Ocean to benefit the company founded by Cunningham, who is represented in the two portraits. The geometric structure recalls that of Johns' painting Map (Based on Buckminster Fuller's Dymaxion Air Ocean World) of 1967
J.G. Ballard in front of Brigid Marlin's homage to Paul Delvaux’s "The Mirror"
Vincent van Gogh - Blühende Mandelbaumzweige (Almond Blossoms) (1890)
3 repins
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