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his design debuted in 1893 in an article entitled "An Interview with Mr. CFA Voysey" in the first volume of what was to become the most important design periodical of the Arts and Crafts Movement, The Studio magazine. The pattern filled three quarters of the first page! The childlike medievalism of "The Minstrel" with its rich colors and simple repeating nature evokes a fresh and uncluttered view of a stylized English countryside
1 repin
Trustworth Studios Fools Parsley CFA Voysey c 1907 In delicate shades of cream, green, yellow, and black, "Fool's Parsley" is an elegant example of interlacing stylized floral form. The pattern also offers four of the most charming birds Voysey ever drew. Appropriate anywhere a gentle yet sophisticated design is desired. "Fool's Parsley" is 21" wide with a 16.975 vertical repeat. $7.00/ square foot, 30 square feet to the single roll
Trustworth Studios Essex Rose CFA Voysey c. 1906 21” wide. 10.407” vertical self-matching repeat. $7/ sq ft. 30 square ft to the single roll.
Trustworth Studios Bird and Berries CFA Voysey c 1893 or earlier A gentle pattern in harmonious shades of yellow, green, salmon, cream and blue. The observer may be pleased to find Voysey's signature heart motif outlined by the salmon colored berries. "Bird and Berries" is 21" wide with a with a 16.093 vertical repeat. $7.00/ square foot, 30 square feet to the single roll
This design debuted in 1893 in an article entitled "An Interview with Mr. CFA Voysey" in the first volume of what was to become the most important design periodical of the Arts and Crafts Movement, The Studio magazine. The pattern filled three quarters of the first page! The childlike medievalism of "The Minstrel" with its rich colors and simple repeating nature evokes a fresh and uncluttered view of a stylized English countryside. This pattern may be used as a border or may be scaled up to serv
2 repins
CFA Voysey c. 1929 This design was sold as both a wallpaper and textile pattern. The central figure of the owl is being “mobbed” by the surrounding birds. Mobbing is the action taken by smaller birds when a predator enters their space. Sort of like what happens in politics with two distinct political parties, but I digress. This soft mottled paper is a bird watcher’s delight. In muted shades of green, browns, red, and cream this paper would be appropriate for almost any room.
1 repin
Marilyn Turkovich onto BIRDS
Falcon and Hollyhock is an adaptation of the Edward VII coronation paper from 1901. In place of the crowns and initials a hollyhock has been substituted. We also have the pattern as designed for those wishing to use the original design or who are feeling somewhat more regal. In shades of yellows, green, red and blue, Falcon and Hollyhock, as well as the original coronation paper, are appropriate for rooms of the high and low born of us. And yes, Voysey’s heart motif is there.
Marilyn Turkovich onto BIRDS
This soft and lovely pattern from 1897 is perfect for a bedroom or an intimate sitting area. The subtle variations in the green tones beautifully set off the peach coloring of the rose, while the solitary bird keeps vigil amid the bramble. Voysey believed in the quiet beauty of regularly repeating patterns, and this simple, undulating design is a perfect example of that. This pattern was originally intended for furnishing fabric but works equally well as wallpaper.
Marilyn Turkovich onto BIRDS
CFA Voysey c 1897 This bright and cheery pattern, while admittedly somewhat seasonal in concept, will nonetheless lighten you rustic retreat or mountain chalet. Bright green holly leaves and berries, on soft brown stems, supporting a flock of feeding fowl. Time for cocoa and a good book in front of the fire while the snow flurries in the woods.
Marilyn Turkovich onto BIRDS
Imagine yourself in a brake of bramble roses in the English countryside with the rustling and cooing of doves in the thicket. That was Voysey's likely inspiration for this 1901 design. This very elegant pattern in muted grayed tones of teal, green, brown, red and dark purple can be combined with either painted or natural woodwork to create a dramatic yet peaceful interior appropriate to almost any room. Voysey has incorporated his signature heart motif in this design and has actually managed two
Marilyn Turkovich onto BIRDS
CFA Voysey c 1893 or earlier A gentle pattern in harmonious shades of yellow, green, salmon, cream and blue. The observer may be pleased to find Voysey's signature heart motif outlined by the salmon colored berries.
Marilyn Turkovich onto BIRDS
This pattern drawn in the later years of Voysey's career still evokes the freshness and perennial childlike enthusiasm of his early work. The design is composed like an assemblage of needlework "slips" copied from a seventeenth century herbal. In the needlework tradition "slips" were appliquéd on fabric, usually silk or velvet, to embellish a large area of cloth. Here the "slips" are arranged in a pleasing repeating pattern resulting in our wallpaper.
Marilyn Turkovich onto BIRDS
"Angelic Forest" is a late Voysey pattern offering the designer's view of a world that is quite simply pure magic. There are always fairies at the bottom of Voysey's garden and obviously angels, too. This pattern is our first digitally produced design and is 21" wide.
Marilyn Turkovich onto BIRDS
This pattern drawn quite late in Voysey's career and during very hard financial times still speaks to the designer's view of a better world through the eyes of a child. This paper is a compilation of Tenniel's original illustrations for Alice in Wonderland, and Through the Looking Glass colored and arranged by Voysey into a landscape for the child in all of us
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