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Varvara Stepanova Cover Design for “Soviet Cinema” #1 1927
2 repins
"Summer" c.1894 Design for a stained glass window, by Margaret Macdonald
2 repins
I'm Here, But Nothing (2000). In this installation, fluorescent strip lights bring thousands of Day-Glo polka dots to life. In one corner, Kusama oversees proceedings from a TV screen and serenades viewers
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Parkwheel David Gallaugher's grass-lined wheel. He and three other Dalhousie architecture students built it to make a social statement- we need more green space. Their contraption is a way to "take the park with you".
1 like 2 repins
sam spenser's 'bloom' at the wapping project.
1 like 1 comment 4 repins
GUERRILLA GIRLS' CODE OF ETHICS FOR ART MUSEUMS. I. Thou shalt not be a Museum Trustee and also the Chief Stockholder of a Major Auction House. II. A Curator shalt not exhibit an Artist, or the Artists of a Dealer, with whom he/she has had a sexual relationship, unless such liason is explicitly stated on a wall label 8" from the exhibited work. III. Thou shalt not give more than 3 retrospectives to an Artist whose Dealer is the brother of the Chief Curator. IV. Thou shalt not limit thy Board of Trustees to Corporate Offices, Wealthy Entrepreneurs and Social Hangers-on. At least .001% must be Artists representing the racial and gender percentages of the U.S. population. V. Thou shalt not permit Corporations to launder their public images in Museums until they cleaneth up their Toxic Waste Dumps and Oil Slicks. VI. Thou shalt provide lavish funerals for Women and Artists of Color who thou planeth to exhibit only after their Death. VII. If thou art an Art Collector sitting on the Acquisitions or Exhibitions Committee, thou shalt useth thy influence to enhance the value of thine own colleciton not more than once a year. VIII. Thy Corporate Benefactors who earn their income from products for Women and Artists of Color shall earmark their Museum donations for exhibits and acquisitions of art by those Groups. IX. Thou shalt keep Curatorial Salaries so low that Curators must be Independently Wealthy, or willing to engage in Insider Trading. X. Thou shalt admit to the Public that words such as genius, masterpiece, priceless, seminal, potent, tough, gritty and powerful are used solely to prop up the Myth and inflate the Market Value of White Male Artists.
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Gustav Klimt - Détail du tableau “La jeune fille” - 1912
3 likes 8 repins
Hope Gangloff Freelancer (Mikey Hernadez), 2011 Acrylic on canvas
2 likes 2 repins
Fetching pins…
Pija Lalu wow very beautiful and very artistic