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Tory Folliard

Established in 1988, the Tory Folliard Gallery is one of Wisconsin's leading galleries in contemporary art. The Gallery's mission is to offer artworks of museum quality by regional and national ...

Lon Michels, PRAIRIE MAIDENS, Acrylic on Canvas, 56 x 57"

Lon Michels, FREEDOM, Acrylic on Canvas, 112 x 140"

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Lon Michels, SUNDAY MORNING, Acrylic on Canvas, 32 x 34"

Stephanie Trenchard's latest sculpture cooling in its sand mold within the kiln.

Jeremy Popelka's Murano vases are stunning.

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In addition to sculpture, Stephanie Trenchard's paintings are also on view in their gallery.

Work by Stephanie Trenchard and Jeremy Popelka in their gallery.

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Jeremy Popelka and Stephanie Trenchard enjoy biking around Door County when they are not making new sculptures.

A lot of infrastructure is needed to run a glass studio.

Kilns allow the hot glass to cool at a slower rate. Annealing the glass makes it stronger.

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Can a person have too many gloves when dealing with molten glass heated to more than 2000 degrees Fahrenheit?

A sketch for one of Stephanie Trenchard's cast glass sculptures. She finds inspiration in literature, nature, and the domestic side of life.

Stephanie Trenchard uses wooden forms to make her cast glass sculptures

Equipment in the studio includes furnaces, kilns, and specialized tables and benches.

Jeremy Popelka and Stephanie Trenchard make a great team!

It is necessary to reheat the glass form several times during the making of a piece. Jeremy is an extremely patient, kind, and knowledgeable teacher!

Tools used for shaping glass forms have changed very little since ancient times.

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Adding color frit after the first bubble is blown.

Gathering liquid glass from the crucible of the furnace. Jeremy guides a first time visitor.

Jeremy Popelka at the "glory hole" reheating a vase after color is applied.

Gravity is our friend. Keeping the vase parallel to the ground while continually spinning the rod helps make the form symmetrical.

Jeremy Popelka forms the neck of a vase after adding color frit to a clear glass base.

Jeremy Popelka forms the neck of a vase after adding color frit to a clear glass base.

Jeremy Popelka makes a piece before visitors give it a try.

Jeremy Popelka and Stephanie Trenchard provide a warm greeting to visitors in their fully equipped glass studio.

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Stocking up on stretcher bars for the next body of work.

Classical props used for the portrait painting class that Craig teaches.

Can a cat ever be too fat? Craig's cat is 23 years old!

These simpler black and white pen and ink drawings are just as beautifully made as the large paintings.

The preliminary color studies allow effective large scale translation

A small color study for the painting shown below.

A small color study for the large painting shown above.

In progress, but sure to be beautiful! This painting is on nine separate panels which fit together. Otherwise, it would not fit through the studio door.

Craig Blietz points out a color study for a larger painting.

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Craig's training as a portrait painter is apparent.

The messiest thing I could find in a very neat studio!

A color study for a large work. Love that blue sky!

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We can't wait to see all this new work finished.

Craig paints effectively in all scales. The size of a finished painting is determined by the subject matter.

This oil painting is "in progress" but looking good.

A printing press and color studies on the north wall.

Beautifully drawn, wait until you see the painting!

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